Still off through the end of this week, but I can't help myself from writing about "Lost," so a quick review of tonight's episode (along with some thoughts on where we are in this final season) coming up just as soon as I'm well enough for a fajita field trip... "Whoa. Dude." -HurleyWell, we're clearly cooking with gas at this point in the season. Desmond's return has goosed the narrative stakes in both the sideways universe and the real one, two of the three island factions have finally come together(*), stuff blew up left and right(**), Des and Locke are trying to kill each other in the two timelines, and the sideways world again was used well to bring back a character whose time on the show felt like it came to too abrupt an end in the real timeline.
(*) Albeit in an episode that saw the creation of another faction in the Richard/Ben/Miles group, since groups on "Lost" are forever picking sides and walking off, going all the way back to when Jack took half the Oceanic survivors into the caves back in season one.
(**) Albeit with explosions that continued this season's trend of unimpressive CGI work. Whatever cuts ABC's made in the show's budget the last couple of years, the digital FX department has definitely been a big victim.
My fear, though, is that it's taken us too long to get to this point.
In the early years of the show, a "Lost" episode and a "Lost" season tended to be constructed the same way: an exciting beginning, then a lot of narrative throat-cleaning, and then an exciting finish. Once Cuse and Lindelof got permission to set an end date and knew what they were moving towards, seasons 4 and 5 became much denser, both from week to week and over the course of each season. Season 6, on the other hand, has felt like a throwback, not just with the return of old characters like Charlie and Boone and, now, Libby, but with the way that we're heading into the home stretch with material that it feels the show would have been better-served to deal with sooner.
Though some of the early sideways stories were entertaining through the sheer force of personality of the actors/characters being spotlighted (Locke, Ben), there was nothing all that interesting about the sideways world itself until last week. By making Desmond aware of the wrongness of the world - and introducing other characters like Charlie and Faraday who also recognized this - we finally tied that world to the one we care about, and created some urgency to our visits to LA. But I'd have rather see this happen a few weeks into the season and not now, not only because it would have given greater purpose to some of those meandering flash-sideways stories like Jack's son or Jin's amazing adventure in the freezer, but because it feels like now that we have a sideways story arc (Desmond tries to nudge the Oceanic passengers into realizing that this world isn't right), the resolution of it is going to feel rushed.
But Cuse and Lindelof have earned some trust over these past few years. Even if I didn't love a lot of the first half of this season, I want to believe that they know just how much time they need to tell the remaining story, that even if "What Kate Does" hasn't retroactively gotten better, that we're heading towards a finish close to what a series this great deserves. Because I don't want the season to turn into one big dead end like Ilana ultimately was.(***)
(***) Even in death, Ilana amounted to little, as Arzt beat her to that particular punchline by five years. The Ajira crew ultimately added about as much to the series' larger mythos as the tailies - Richard or Jacob's ghost could have very easily explained the candidate thing with just as much detail as Ilana ever offered - and the tailies at least gave us Libby's romance with Hurley and Mr. Eko and his Jesus stick for entertainment value.
And in the meantime, Desmond's actions, as well as the resurrected Libby's awareness of her other too-brief life, gave Hurley's sideways story some juice, along with giving Jorge Garcia another chance to show he has far more to offer the series than comic relief.
In sideways world, Hurley's a man who seemingly has everything (his version of the happy ending deal all the island folk apparently got) but is incredibly lonely. In the real world, he's lost so many people while standing on the sidelines that he once again asserts himself and takes a surprising leadership role on the island. (And Jack, finally after all these years learning that he can't fix everything, seems okay with playing Hurley's sidekick for once, in a nice role reversal and good moment for the character.)
Garcia had a lot of good moments in this one, but my favorite came early on, when he tells Ilana that Libby was "murdered," and this tone of pained disbelief comes into his voice as he says the word. One of Hurley's most recognizable traits is his ability to discuss the most ridiculous events of the series in the most matter-of-fact tone, but with his delivery of that one word, Garcia makes it clear just how much this one particular event continues to rock his world, years later.
Libby's return didn't explain what she was doing in the mental hospital in the real world, and I suppose that's one mystery I can live without them explaining. But I'm hoping we'll get more of Cynthia Watros in the coming weeks, along with more Dominic Monaghan and Jeremy Davies and even Ian Somerhalder. Because if alt-Desmond's mission is to bring an end to sideways world so the real world can be saved, a bunch of people are going to have to accept that they're going to die again, and there's a lot of good material to be mined there - assuming there's both time and available actors for that.
As for the Locke/Desmond mutual attempted murder game going on in both timelines, I'm not assuming either real Des or alt-Locke are dead just yet. Desmond's fall down the electromagnetic well is one of those classic comic book-style "if you don't see a dead body, you don't have a dead character" moments, and alt-Locke is still breathing (and looking remarkably like Locke on the ground after his father threw him out the window in "The Man from Tallahassee"). I am curious, though, if alt-Desmond has a specific reason for targeting our poor, self-actualized substitute teacher - perhaps recognizing that damaging Smokey's host body in the sidways world hurts him in the real one - or if alt-Des is going more by instinct, and somehow knows in his gut that the man with John Locke's face has just tried to hurt him.
Anyway, we'll have more time to speculate on all of that once I'm working full-time again (and less sleep-deprived), so in the meantime, some other thoughts:
• Couple of notable guest stars this week: Samm Levine (from my beloved "Freaks and Geeks" had a brief appearance as the Mr. Cluck's employee who recognizes Hurley (and I thank the "Lost" producers for giving him more dialogue than Quentin Tarantino did in all of "Inglourious Basterds"), Bruce Davison reprises his role from season two's "Dave" as Dr. Brooks.
• So the whispers were the voices of all the souls trapped on the island because of the actions they committed there while alive. On the one hand, that's not a surprising answer; on the other, that's sort of the risk Cuse and Lindelof face in giving us answers to questions like that at this late date. After six years of speculation, of course most of us are going to have come up with an idea like this to describe the whispers, just as I'm sure the identities of Adam and Eve will wind up being something that's already mentioned on Lostpedia. But by tying the answer to a character moment - Michael asking Hurley to apologize to Libby for him - the revelation merited more than a shrug.
• I swear, every time a character with a gun talks about getting in an outrigger (here it was Richard), I turn into Millhouse in "The Itchy & Scratchy & Poochie Show" whining, "When are they gonna get to the fireworks factory?!?!?!?!"
• Another possible "Lost" spin-off: a game show called "How Do You Break the Ice with the Smoke Monster, Anyway?"
What did everybody else think?